Other accounts, such as those of Alexander Aubert and Richard Lovell Edgeworth, noted red and blue colour tints in the fireball.
2.
His work for " Scribner's Magazine " included the use of colour tints ( notably for some Sewell Ford horse stories ).
3.
He shot all the footage with a'light flex', a unit placed in front of the camera which gave a faint colour tint to each scene in order to give the film a more fairy tale atmosphere similar to Froud's original paintings.
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